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Wednesday, July 23, 2008

 

Leaving the house now and then.

I have been out eating and drinking entirely too much lately, and it is beginning to show in the way my pants (fail to) fit. I would whine and carry on about how cruel life is... but good food is not exactly a curse, so it's not like I will earn your sympathy.

*

My efforts to reclaim my nightlife have been reasonably successful, especially with regard to live music. The first week of July I was able to enjoy the Charlie Hunter Trio (www.charliehunter.com) at the Great American Music Hall (gamh.com). It has been a few years since I've been able to see CH, and his show was excellent. I was wary at the beginning of the first set for no particular reason, but as the set became more intense, I remembered how fabulous a musician he is...

The first set, strangely enough, featured an arrangement of Blondie's Heart of Glass, which was done so cleverly that it took a while to identify itself, since it came through as pure jazz... And the second set was even better than the first.

*

The following week was the stellar Black Francis show, which I wrote about previously.

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The Definite Articles at the Rickshaw Stop, San Francisco, July 17, 2008This past week brought me back to the Rickshaw Stop for The Definite Articles (who have a new song!), the Brass Liberation Orchestra (who gave themselves a longer-than-scheduled set, from what I understand), and Mucca Pazza (mucca-pazza.org), who were fun fun fun fun fun.

Mucca Pazza at the Rickshaw Stop, San Francisco, July 17, 2008Who can I compare Mucca Pazza to? ("Your band is like a summer's day...")

They are like... The Extra Action Marching Band, except they all keep their clothes on!

They are like... The Infernal Noise Brigade, except they are still together and they wear mismatched costumes!

They are like... people I might have hung out with in school, if I had actually signed up for band/orchestra, which I did not, but those of you who were in band/orchestra who I do hang out with could have turned out to be these people if you had been... significantly less sedate and more inclined to grow facial hair?? Maybe?

MP is extremely fun. Talented musicians! Energetic peformers! They dominated the Rickshaw Stop. The show was enthralling, and audience bounced out merrily into the streets at the end of the encore.

Mucca Pazza at the Tour de Fat, San Francisco, July 19, 2008Little did I know that I would be able to enjoy Mucca Pazza live TWICE in the same week, for they were also the headliners at the Tour de Fat (followyourfolly.com). The Tour de Fat is New Belgium Brewing's fabulous summer festival series dedicated to raising money for biking and open-space causes in the localities where they put up their tents. Which means that people can come out for a day of free entertainment, show off their fancy custom bikes, and buy delicious, 16 ounce New Beligum beers with all of the proceeds going to organizations I love dearly, especially the San Francisco Bicycle Coalition.

The weather was terrible for an outdoor festival, but the festival was a blast, and I was there from 8:30 until it shut down.

Have I mentioned that I love bike people? I love bike people.

Visit the bands' websites to hear their great stuff.

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posted by Arlene (Beth)9:37 PM


Sunday, July 13, 2008

 

Untitled.

The thing I like about calling an artwork "untitled" is that it really isn't possible. By pulling a label on it that says "untitled," you are, in fact, titling it.

This is like when a colleague of mine cleaned off his marker board at his cube to make a sort of statement about his last few days in the office. I went over while he was away and wrote, "[This space left intentionally blank.]" It achieved the same purpose, but more directly, I thought. (For this, he told me that I am brilliant. :-))

*
Black Francis at the Uptown Nightclub, Oakland, California, in the early hours of July 10, 2008I have been tired most of this week, and the best thing that made me tired was seeing Black Francis at the Uptown Nightclub in Oakland on Wednesday night through Thursday morning. The Uptown is a great little club near 19th Street BART station in Oakland, with a divided layout so that the bar is separate from the main performance space. The stage was projected onto a fabric screen over the bar near the front entrance, so you could keep track of what was happening while getting an iced drink. (The club also has immaculate bathrooms and good service at the bar.)

I missed the first act entirely. The second act was a children's band, and I wonder even now if their parents had to explain the significance of the act they were opening for. They were so young, ("How young were they?" They were so young that...) they had a dedication to 'all you over 21s out there,' which was unique in my historical concert attendance experience. They also had a song about how annoying it is to go home and have your parents hassle you. This was the subject of amused commentary between myself and the other audience members born in the late 60s and early 70s who appeared to be in the majority. (In another era, 'in the majority' would be a joke about age, but no one uses 'majority' to talk about coming of age anymore, do they?)

The arrival of adult roadies on stage marked the arrival of the grown-ups' portion of the program. Frank's/Francis'/Charles' roadies spent a great deal of time dealing with a problem with the drummer's microphone. I have never seen so many frowny, sulky facial expressions on a group of roadies, only in part because the club is very intimate (perhaps as intimate as Cafe du Nord, but with much higher ceilings) and I could see every nuance of facial expression made. I had found a spot against the stage in the corner where I could catch a hint of breeze from the backstage door and had spectacular views of the show. I'm rarely standing in a spot where I can exchange looks with the drummer (for no particular reason), so this was novel.

Frank came on stage in the early hours of the morning, and was stellar in every respect. He played a range of songs from different albums, despite his stated intent of emphasizing Bluefinger, and mesmerized the audience.

It was the best show I have been to in ages. I was thrilled to the core, and he didn't even play my most favorite songs from his early solo albums - it was such a remarkably high quality show, and the energy of the audience was just so good...

*

Black Francis at the Uptown Nightclub, Oakland, California, in the early hours of July 10, 2008I'd had a long, overheated work day before the show, a mediocre dinner at a Cambodian place I had once loved, and a difficult time finding a place I could feel comfortable waiting for the club to open; I was somewhat discouraged that I had no friends who were also late-night fans who could attend the show with me; and by the time I returned to Oakland from a cafe in Berkeley, I had feared that I wouldn't be able to stay awake. But I liked the club, and wound up initiating friendly conversation with other fans around me, who were quite pleasant, and provided commentary while we watched the roadies frown. As soon as Frank's set started, I was internally electrified. I left the show completed elated at about 1:40 a.m. (only the slightest bit disappointed at the lack of encores), and thus barely missed the hourly All-Nighter AC Transit 800 bus that was going to take me back into SF for a mere $3.50.

I considered drinking until 2 and then waiting an additional half hour for the next bus, but decided that I lacked the patience to do that, so I pulled out my iPhone and got a cab company directory. The first company didn't answer. The second answered only to tell me that its last driver had just gone off shift. Mind you, this was at 1:45 a.m., and I began to worry that I would not be able to return to the City easily. Nearby was a handsome young man who was on his cell phone, and I could hear his conversation: he had just advised a taxi company that he needed a cab back to SF, and that he could wait a few minutes. There was a time, in my distant youth, when I would have just stood around, and then approached his cabbie about sending another taxi for me, but that time is very distant. I walked over to him asked him if he'd be willing to share the cab back to SF, since I'd had no luck in raising so much as a possibility of a taxi. He agreed. We got to watch Frank and his crew load their equipment bus (and fuss over the lack of hard cases for the beautiful Vox amps), and had a pleasant chat on the way across the bridge, during which it was revealed that he is new to SF, and pretty much just finished college.

I did not pinch his cheek.

We had several things in common: he had friends who don't stay out late, who aren't as enthusiastic about live music as he/we are, and who leave shows early rather than staying through to the (glorious, encore-filled) end of them. We came to be fans of Frank Black late, after having loved the Pixies for a long time. We hadn't been interested in the Pixies reunion tour, partly due to the lack of new music being released by the band. We both LOVED the show.

It worked out delightfully for me: the nice young man paid for his own full fare over, and so I only paid for my own ride across town, which was worth every minute that it saved me in trying to return by other means. The cabbie was pleasant and just as chatty as works at that hour of morning. I was in bed by 2:45 a.m., and slept until after 7 so that I would be able to stay awake through a social dinner planned for the evening. I went to Peet's, and was reinforced by a large cup of their deceptively delicious, remarkably powerful soy chai, which kept me up chatting with friends late the next evening.

Even now, days later, I remain giddy just thinking of the show.

I'm so very glad I went.

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posted by Arlene (Beth)9:10 AM


Thursday, June 12, 2008

 

Most Played Songs on my iPhone/iPod.

There are about 517,000 Google results for iPod 25 most played. Which means that I am being completely unoriginal in posting this list. To the point I care about such things. Which I don’t.

On the bright side, I’m NOT posting my entire record collection (yet), my massive audiocassette collection (which I’ll never do, because I lost/dumped it while moving at some point), or CD collection (which seems to be the least representative of all formats I’ve owned so far). I will tell you what’s on my iPhone, however, because it is a very short, very selective list. I’ll do that as a "featurette" here: music (albums) on my iPhone.

My current top 25, presented as "song (band, album)," as reported by my iPhone:

High Rise (Ladytron, Witching Hour)
Plastic (Portishead, Third)
Hunter (Portishead, Third)
Silence (Portishead, Third)
Headhunter v1.0 (Front 242, Front By Front)
257.zero (Moby, Last Night)
I Love to Move In Here (Moby, Last Night)
Alice (Moby, Last Night)
Ooh Yeah (Moby, Last Night)
Information (The Definite Articles, Boy Wonder)
Elixirs (The Definite Articles, Boy Wonder)
Sea Things (The Definite Articles, Boy Wonder)
Weekend (Ladytron, Witching Hour)
Destroy Everything You Touch (Ladytron, Witching Hour)
The Beginning Of The End (Nine Inch Nails, Year Zero)
Lullaby (The Cure, Distintegration)
All Mine (Portishead, Portishead)
Between The Bars (Elliott Smith, Either/Or)
Holographic Universe (Thievery Corporation, The Cosmic Game)
Li citta nuda (The Dining Rooms, Tre)
The Nasty (Amon Tobin, Bricolage)
Easy Muffin (Amon Tobin, Bricolage)
Yasawas (Amon Tobin, Bricolage)
Beauty *2 (Ladytron, Witching Hour)
Black Cat (Ladytron, Velocifero).

Notes: Portishead's Third has displaced several Pixies songs. Bricolage and Tre were the first albums I loaded onto the iPhone, but I'm still impressed at their placement. I don't think I listen to Elixirs as much as is represented, but I do listen to the songs on either side of it very frequently. My actual hours of listening to Elliott Smith are surely underrepresented; however, I also listen to him on Steven's iPod, and that may be the cause of his lower figures here.

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posted by Arlene (Beth)10:26 PM


Monday, May 26, 2008

 

Fun at the Rickshaw Stop

The Definite Articles at the Rickshaw Stop, May 21, 2008I'd posted one of my invitations to see The Definite Articles (myspace.com/thedefinitearticles) at their CD release party in San Francisco this past week. The cellist and main force behind the band is an especially clever office colleague of mine, and I was very excited for him when he announced his intention to take a sabbatical to record a CD and polish the band's performance. His sabbatical will be ending next month, now that he has made remarkable progress in his planned projects.

The show was excellent: it was a great room, their performance was tight, the sound was stellar, and their show was very, very well received. They also had swag at this show, and I was able to buy their CD on a little USB thumb drive with their logo on it. (Did I mention that the force behind the band is a geek? Is this obvious now?) It is just SO CUTE.

As I noted on The Definite Articles page on Facebook,
AMAZING show last night! All that, and I am the first kid on my block to have the USB version of Boy Wonder! The sizzling sound you hear is the sh*t hotness of this item lighting the fires of jealousy in all those around me.
It was pleasant to note this in Facebook, since most Facebook users are slackers, and only use the wall feature to send regrets for events that they never intended to attend anyway. (I am delighted that many people I know are decidedly NON-slackers in Facebook. Nearly all such people also have their own websites, I notice.) I also learned that the wall function in Facebook has CHARACTER LIMITS, which really rained on my parade while attempting to post book-length commentary on the common experiences among serious musicians. Dammit.

I'm posting an iPhone photo from the show here. You know that I have a 1971 Nikon F with a powerful flash rig that can effectively light a band from the Paradise Lounge's balcony and produce brilliant, sharp band images... And that I take lovely medium-format black and white portraits. But I am resisting imposing my aesthetic on this particular band. Which is an amusing exercise in photographic self-restraint. Which I don't know much about, really.

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posted by Arlene (Beth)4:48 PM


Monday, May 19, 2008

 

This Wednesday, attend a special evening of musical entertainment in SF with The Definite Articles

[A message I distributed to selected office colleagues today.]

Yes, there is a SPECIAL treat in store for you on Wednesday night!

"What could it be?" you ask.

"Is it... a violent riot caused by the Ridiculous Moustache Liberation Front?" No!

"Is it... an attempt at the Guinness World Record for the largest drag queen/king undergarment raid at Civic Center, with the Honorable Gavin Newsom serving as Undergarment Master of Ceremonies?" You wish! NO!

"Is it... the surreal filming of a Björk video, in which she proves yet again that she is merely visiting this planet to make us wonder what other worlds are like?" No!

"Is it... oh, this is hard. Is it... Kind of like an offsite social event organized by some really tall guy who used to work [at My Employer], but executed in a less suave manner?" No. Not at all. This is TOTALLY suave.

"Is it a drunken ruckus caused by dozens of current and former [My Employer's Employees] spending their economic stimulus checks in one little nightclub?" You're getting warmer!

"What, pray tell, could this mysterious event that you are teasing us about unnecessarily be?" you ask.

"Say please," I say, haughtily.

"Please?"

Okay. I'll tell you. This very Wednesday, May 21st, [My Employer]'s past and future Shawn Alpay is having a CD Release Party for The Definite Articles' newest CD, Boy Wonder, at the always delightful Rickshaw Stop at 155 Fell Street in San Francisco (near Van Ness).

You must attend! Really. No, I mean you REALLY must attend. Or thugs from the Ridiculous Moustache Liberation Front will come to your house and, um, "deface" you with a ridiculous moustache. And other punishments too horrifying to be described in a genteel e-mail such as this one.

The Definite Articles perform at 8 p.m. sharp, early enough for even the weakest, sleepiest among you to have a good time, yet still be in your Winnie the Pooh jammies (with feet!) at a reasonable hour.

Bring cash!

Details at The Definite Articles' MySpace Page and rickshawstop.com.

Please share this information with all potentially interested parties.

See you there!

Arlene

Disclaimer: I wrote this freely and of my own volition on my own behalf and on behalf of all those who are sentimental about Pooh jammies with feet. This is not a [My Employer] event, nor a [My Employer's Parent Company] event. Duh. Attend at your own risk. Also, don’t take my word that the passionfruit cocktails at the Rickshaw Stop are as good as I say they are. Your mileage really may vary on that one.

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posted by Arlene (Beth)8:23 PM


Tuesday, April 29, 2008

 

Naked Eye by Luscious Jackson??

Is there any reason I've had this song playing in my head over the last few mornings?

Okay, is there any GOOD reason??

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posted by Arlene (Beth)10:05 PM


Monday, April 07, 2008

 

Things my partner/spouse of eight years, who is turning 40 this month, did NOT say during Saturday's night's Autechre Concert

[The show started at 9, with DJ Rob Hall (who was very good); there was an electronic solo act, the DJ again. Autechre, as promised by the schedule posted above the door, started their set at 12:30 a.m. on Sunday.]
"Let's dance!"

"This is fun!"

"This [solo act] is quite interesting."

"People here really know how to dance."

"What a cool way to spend an evening."

"I am enjoying myself."

"Let's do this again very soon."

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posted by Arlene (Beth)8:37 PM


Saturday, January 26, 2008

 

Poems are organized into books; pictures are organized into portfolios; songs are organized into albums.

I'm not sure I approve of the random feature on digital music players. Perhaps it is my own fault, for listening to electronic instrumental music and not always being certain which band I'm listening to when I have several new albums loaded. But I liked the way songs were grouped, often very logically, into albums.

The length of the albums was technology based: vinyl records could only hold so much music, and so sets of songs were chosen that worked out to about the right amount of time. Yet... If you look at albums from bands like Radiohead, or Nine Inch Nails, it's clear that there are relationships between the songs on an album. They work together, or they are from the same era, or they share certain patterns... Some of those relationships are quite well designed to give an album a particular quality. The Fragile has songs that flow into one another, where sounds from one song continue into the beginning of the next track, and that flow only makes sense when they are played in a particular sequence.

If I don't listen to the album a few times in the provided sequence, I think I might be missing something that I was intended to notice.

It's not clear that the entire concept of an "album" will continue to be relevant, if you download the songs you want - there's no longer a structural framework created by the limitations on technology (on how much music fits in uncompressed form on a long playing record, or an audio cassette, or a compact disk), and so there isn't necessarily a reason to release music in batches/collections/albums. I'm curious as to whether or not musicians will continue to release "albums," or if they will draw other relationships between their songs. ('This one goes with the other 'blue' music I did three years ago - listen to this song with those pieces. This one, on the other hand, starts a new set...')

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posted by Arlene (Beth)6:47 PM

 

Hold On, I'm Coming

Do any of my readers have this album by Art Blakey? Either the 1966 (or 1967) release, or the re-release in 2003-ish?

In July of 1993, I began subscribing to CMJ New Music Monthly (cmj.com), a pop music magazine that comes with a CD full of music. It may be hard to imagine this, but getting a promotional CD in the mail every month seemed like a really great thing in the ancient days when radio was becoming miserable, but before you could just download songs from the Internet onto all the mobile devices that hadn't yet been invented... Anyway, during the decade or so that I subscribed, they had music by all sorts of groups that inspired me to buy their albums, from pop, to electronic, to jazz, to hip hop. On one disk, they had a version of Hold On, I'm Coming, entirely instrumental, from Art Blakey. It was a promo for the re-release.

I LOVE this version of this song. I can't find it anywhere, of course - the song or that particular issue of the CD. All I really want to hear is that one song (though it sounds like the album was fine), and so I'm not really willing to order 'collectors edition' original LPs from great distances. No, it's not available on iTunes.

If you don't have it, (I can't believe I'm about to write this) check to see if your parents have it (if they are, you know, cool). And find out if they might be willing to loan it to me. Or record it for me. Or find some other way to share it.

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posted by Arlene (Beth)5:03 PM


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